A dazzling, stylish biography of a fabled Parisian photographer, adventurer, and pioneer.
Adam Begley is the author of Updike. He was the books editor of The New York Observer for twelve years. He has been a Guggenheim fellow and a fellow at the Leon Levy Center for Biography. His writing has appeared in The New York Times, The Guardian, TheFinancial Times,The London Review of Books, and The Times Literary Supplement. He lives with his wife in Cambridgeshire.
A New York Times Editors' Choice "Irresistible. . . . A richly
entertaining and thoughtful biography. . . . Begley seems
wonderfully at home in the Second Empire, and shifts effortlessly
between historical backgrounds, technical explanation, and close-up
scenes, brilliantly recreating Nadar at work." --Richard Holmes,
The New York Review of Books "Concise and thoughtful. . . . Begley
delivers a subtle accounting of Nadar's career as a photographer
while reminding us of his subject's many other talents and
exploits. . . . This book, like Nadar's life, roars past with a
whooshing sound." --Dwight Garner, The New York Times "A delightful
biography. . . . It comes across as a labor of love. Yet the word
'labor' hardly characterizes the suavity, swiftness and economy of
its text. The book is a pleasure to read, though one could almost
buy it just for the pictures." --Michael Dirda, The Washington Post
"A window on an era of extraordinary artistic endeavor. . . . Mr.
Begley has combed through an array of literature, letters, guest
books, invitations, drawings and other miscellany to tease out a
nuanced portrait of one of the world's first celebrity
artist-entrepreneurs." --Tobias Grey, The Wall Street Journal "A
taut, engaging biography. . . . Begley creates a vibrant portrait
of Second Empire Paris through one of its most colorful
characters." --The New Yorker "A short, beguiling book. . . .
Begley writes briskly, jauntily, and affectionately about his
subject."--Michèle Roberts, The Times Literary Supplement
"Masterful. . . . Begley's vibrant new biography tells Nadar's
story in all its colorful detail. . . . We can be grateful to
Begley for capturing some of that quicksilver spirit, that
quintessentially Parisian sensibility, which left us with images
that are, in their bewitching way, timeless." --Thad Carhart,
Newsday "A sympathetic and judicious book. . . crammed with
character and incident. . . . Nadar was one of the greatest
portraitists in photographic history. . . . He would have been very
much at home in our day." --Luc Sante, The New York Times Book
Review "If genius is the capacity to astound, then Nadar is up
there with the greatest. . . . With this book, Begley . . . puts
him back where he truly belongs. . . . Battered into submission by
the man's glorious character, towards the end of this book I
arrived at the last known photograph of him--an old man in his
garden, a newspaper in his lap. I teared up, realising that Adam
Begley had made me love him as much as he evidently does." --Bryan
Appleyard, The Sunday Times (UK) "A joy to read. . . . The best
part of the book is the ease with which Begley is able to relay the
artist's life story and its many intrigues." --Hyperallergenic "A
superb account of one of the nineteenth century's most
irrepressible spirits. Nadar was the founding genius of
photography, especially portraiture, a heroic, disaster-prone
balloonist, as well as a journalist, cartoonist, would-be
revolutionary and one of the first 'bohemians'. Adam Begley
brilliantly evokes the Paris of the Second Republic and Second
Empire, its gloriously impoverished and eccentric artistic milieu,
its squalor and political turmoil. Nadar knew everyone and took the
photographs of the men and women who defined the era. Here the best
work is excellently reproduced and discussed with great sensitivity
and insight; from every point of view The Great Nadar is a
beautiful book." --Ian McEwan "Nadar described himself as a
reckless enthusiast, a hyperkinetic presence, every father-in-law's
worst nightmare, someone who 'never missed an opportunity to talk
about rope in a house where someone has been hanged or ought to be
hanged.' That was nowhere near the half of it. Adam Begley fills in
the rest, providing a portrait every bit as seductive as was its
irresistible, irrepressible subject." --Stacy Schiff "Adam Begley
has found the perfect biographical subject in Nadar--an
irrepressible artist, a daring pioneer, a wild-eyed visionary, an
outrageous self-promoter, and an enfant terrible, who, like some
sort of Zelig, seemed to turn up alongside every major figure in
Paris during the heady period of the mid-nineteenth century. But
what makes this book so mesmerizing is Begley, who, with his own
artistry, brings Nadar roaring to life on every page." --David
Grann "A completely fascinating, thoughtful and most elegantly
written biography of one of the great early photographers."
--William Boyd
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