Indigenous Australia

A Different Mode of Exchange: The Mamurrng Ceremony of Western Arnhem Land

Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles

Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay

Alyawarr Women's Rain Songs

Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley

Turning the Colonial Tide: Working towards a Reconciled Ethnomusicology in Australia

Pacific Islands and Beyond

Chanting Diplomacy: Music, Conflict, and Social Cohesion in Micronesia

Songs for Distance, Dancing to Be Connected: Bonding Memories of the Ogasawara Islands

The Politics of the Baining Fire Dance

Touristic Encounters: Imag(in)ing Tahiti and Its Performing Arts

Heritage and Place: Kate Fagan’s Diamond Wheel and Nancy Kerr’s Twice Reflected Sun

Living in Hawai'i: The Pleasures and Rewards of Hawaiian Music for an ‘Outsider’ Ethnomusicologist

Archiving and Academia

Protecting Our Shadow: Repatriating Ancestral Recordings to the Lihir Islands, Papua New Guinea

The History of the ‘Ukulele ‘Is Today’

‘Never Seen It Before’: The Earliest Reports and Resulting Confusion about the Hagen Courting Dance

Capturing Music and Dance in an Archive: A Meditation on Imprisonment

Some Comments on the Gradual Inclusion of Musics beyond the Western Canon by Selected Universities and Societies

Ethnomusicology in Australia and New Zealand: A Trans-Tasman Identity?